Tracks that sound heavy in a studio or club can sound empty on the radio, so sometimes it’s necessary to add 3 rd- or even higher-order harmonics using these techniques, to give the listener the impression of bass and help cement the key of the track.Ģ nd- and 3 rd-order harmonics are what give the 808 presence. I then compress this using a CLA-2A compressor, especially when using the 808 as a kick drum.Ĩ08 mixing is particularly important for the radio. I often replace the transient audio with a piece of pink noise I’ve made in a synth. Harmonics in 808s are really important, as are the pitch envelope and transients. They’re great for everything from straight up pop to hip hop, trap, drum & bass, even house music. I love 808s, both as kick drums and for creating bass lines.
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